Faux Celebrity Memoirs – Week 7 Prompt

In all my years as a reader, I’d never given much thought to so called ‘fake’ or ‘faux’ celebrity memoirs, or faux memoirs in general. I haven’t been much of a non-fiction reader in the past though, so I found this compelling that someone would go so far out of their way to write about a life they never lived. Or put such an exaggerated spin on their actual lives for the purpose of profiting off of it. I know there are people out there who do that, but it never occurred to me that there were books written about it.

One of the best examples of this is James Frey’s 2003 memoir, A Million Little Pieces which made it to the top of Oprah’s Book Club list, which in turn then made it onto the best seller’s list. Frey wrote about his life as an addict and his time in an drug and alcohol treatment facility, and what he experienced during detox and withdrawal. He also shares about the patients he meets who are as troubled as he is, who become his friends and confidants, his advisors. It’s described as being ‘the fight between one young man’s will and the ever-tempting chemical trip to oblivion, and the fight to survive on his own terms for reasons close to his heart’ (Barnes and Noble).

Frey is identical to the narrator in that he’s writing and narrating his own life, but what is disappointing is that the majority of his story is not true. In 2006, an investigative website called The Smoking Gun released an expose on Frey’s book, citing numerous exaggerations and false information in his account of his life’s story. “I wanted the stories in the book to ebb and flow, to have dramatic arcs, to have the tension that all great stories require,” he stated in a later interview that same year with Oprah.

Louis Menand (2018) said it best in his article Literary Hoaxes and the Ethics of Authorship: What Happens When We Found Out Writers Aren’t Who They Said They Were:

“When people had an issue with the author, it’s because they felt he or she had violated what is known in narratology as the ‘autobiographical pact’ or the understanding that the person whose name is on the cover is identical to the narrator, the ‘I’ of the text.”

According to an article in Ethics Unwrapped, authors and literary critics noted that memoirs are not necessarily the same genre as biographies or autobiographies. Author Joyce Carol Oates stated that “the tradition of personal memoir has always been highly ‘fictionalized’ – colored with an individual’s own emotional truth… this is an ethical issue with convincing arguments on both sides.”

Unfortunately, this now leads us to question not only the ethical standards of truth in general when it comes to nonfiction, but other things such as writers who write under a pen name, ghostwriters, forgery, plagiarism, etc. in the literary world.

Personally, I don’t have an issue with an author using a pen name or other pseudonym. I know many authors write under different names for a variety of reasons, such as if they’re writing different genres, or if they happen to be women or vice versa. Did you know that Viola Shipman is actually a pen name for Wade Rouse? According to ‘her’ biography, Rouse chose to use his grandmother’s name to honor the woman who inspired his works of fiction.  

What I do have an issue with, and something that I will be looking at more carefully when it comes to my reading, especially of the non-fiction variety, is whether or not what the authors are writing are 1) written by the actual person, 2) did what they write actually happen, and 3) if the person writing the memoir isn’t the actual person, are the facts still true?

Other faux memoirs include:


References

Menand, L. (2018). Literary hoaxes and ethics of authorships: What happens when we find out writers aren’t who they said they were. The New Yorker. https://www.newyorker.com/magazine/2018/12/10/literary-hoaxes-and-the-ethics-of-authorship

Roos, D. (2022). 5 memoirs that were too good to be true. How Stuff Works. https://entertainment.howstuffworks.com/arts/literature/fake-memoirs.htm

Somers, J. (2017). 5 hoax memoirs still worth reading. B&N Reads Blog. https://www.barnesandnoble.com/blog/5-hoax-memoirs-still-worth-reading/

University of Texas: McCombs School of Business. (24 February 2023). A million little pieces: Case study. Ethics Unwrapped. https://ethicsunwrapped.utexas.edu/case-study/million-little-pieces

Winfrey, O. [OWN]. (29 August 2012). #18: Oprah confronts James Frey – TV Guide’s Top 25 – Oprah Winfrey Network. [Video]. YouTube. https://www.youtube.com/watch?v=ewC-KIe5qng&t=14s

Comments

  1. That's a really interesting point about memoirs being fictionalized due to their reliance on the writer's "emotional truth." I'd never really thought of it that way before, but I can see how it would diverge from biographies since they do tend to require objectivity in a way memoirs don't. I do still generally expect memoirs to be accurate and truthful to a certain extent, but thinking of them as their own genre might be more helpful to manage expectations. Semi-related, but I am always confounded by celebrities whose memoirs get them into hot water because they've fictionalized some element of their life, mostly because having been in the public eye basically guarantees someone will catch you in a lie. The other day I learned about Kathleen Turner's memoir and subsequent controversy in which she admitted to making up things about Nicolas Cage after he sued her for libel and slander. I think I just wonder why celebrities would even bother making things up when their lives are already so innately fascinating to the general public, and furthermore, why make up things about other celebrities who are willing and able to sue you for it? As a regular person, fudging the truth just doesn't seem as big a risk, maybe because people would be less invested in figuring out the truth and/or because fewer people have witnessed your life play out. For celebrities, it just seems like the odds of getting caught are much higher.

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  2. Looking specifically at the controversy surrounding James Frey’s A Million Little Pieces, I wonder why individuals like Frey do not just market their books as fiction; what would they gain from publishing memoirs compared to fiction novels, considering that many of the plotlines are already fabricated?

    I agree with your conclusion about pseudonyms, specifically when looking at, for example, a female author writing under a male name. In this instance, a woman writing as a man is trying to overcome misogyny and sexism within the publishing world, such as in more male-dominated genres and beyond, which is the opposite of someone falsifying an identity of persons belonging to a minority group to get authority.

    Regarding your comment about inspecting nonfiction works in the future, I believe these steps will help you better identify fabricated texts. I have one question about step three. How would you decide whether the information in the novel is true? Would you look for a bibliography at the back of the book or for footnotes? Would you want any other information to help prove the author’s credibility?

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  3. Fictionalized memoirs? Oof. That's honestly my first reaction. There are so many people who have had fascinating lives, and we, as information professionals and readers, need to advocate for those lesser-heard narratives to be published.

    This brings me to the topic of pen names. Honestly, I don't have a problem with them. Historically, it was much easier for men to be published than women, so women tended to don the names of men. There is nothing wrong with that, and I am thankful for the women who braved and paved the way for other female authors.

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  4. Fantastic prompt response! I love how you tied in the articles and expanded on the one example from last week. There are so many fictionalized memoirs out there. I also think your three steps are wonderful. Full points and very well said!

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